在当代中国画坛，中国国家画院院长刘万鸣的名字总与文人画的探索紧密相连。近些年，他又以独特的艺术语言，在指墨艺术与工笔绘画之间架起了一座贯通古今的桥梁。他以手指游走于宣纸之上，创作出《松鹰图》《太行烟云》《荷塘清趣》等一批指墨新作，既承袭高其佩、潘天寿等前辈的指墨传统，又融入了当代艺术家的创新思考，重新唤醒了人们...
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